KSh 50,000.00
Out of stock
Zoom H4N PRO Digital Multitrack Recorder
From the manufacturer
In the Box:
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software
The Zoom H4N PRO Handy Recorder
Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond
At Zoom we’re always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we’ve taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn’t just improved, it’s superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.
- Pristine stereo or four-channel recording, up to 24-bit/96 kHz
- Redesigned stereo X/Y microphones handle up to a thunderous 140 dB SPL
- New super low-noise preamps, less than -120 dBu EIN
- 2 XLR/TRS inputs with secure locking connectors
- Use as 2-in/2-out USB audio interface
- Remodeled FX Processor with ultra-realistic guitar/bass amp emulation, compression, limiting, and reverb/delay
- Records on SD/SDHC cards up to 32 GB (not included)
- Get the Zoom RC4 Wired Remote Control for easier recording and playback
- Expand your H4n Pro’s capabilities with the APH-4nPro accessory kit which includes hairy windscreen, USB cable, splitter cable, attenuator cable, AD-14 AC adapter
High-Performance Mic Preamps
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.
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Improved MicrophonesCapable of handling up to 140 dB SPL, record everything from ear-splitting heavy metal to bass-heavy EDM. |
New DisplayBrighter, easier to read, back-lit LCD screen. |
Locking ConnectorsNew locking XLR/TRS connectors ensure your mic cables stay secure. |
Form FactorA new rubberized, ergonomic body is perfect for use in the field or with a camera. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording. |
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| H4n Pro | H5 | H6 | |
| Number of inputs | 2 | 2 (expandable to 4) | 4 (expandable to 6) |
| Phantom power | +12/+24/+48V | +12/+24/+48V | +12/+24/+48V |
| Uses interchangeable capsules | N | Y | Y |
| Provided microphone(s) | Built in X/Y Stereo | XYH-5 | XYH-6, MSH-6 |
| Maximum SD card size | 32 GB | 32 GB | 128 GB |
| Remote Available | Y | N | N |
| USB audio interface in/out | 2/2 | 4/2 | 6/2 |
| Battery life (Alkaline) | 6-10 hrs | 15 hrs | 20 hrs |
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About the item
The Mic Stand is a microphone stand designed for floor and tabletop use. The stand offers a height-adjustment range of 11.2 to 15.75″, using a boom arm measuring 12.2″ in length that helps you close-mic sources like guitar amplifiers or vocals (in a tabletop setting).
The flat, unobtrusive base saves space, while four elastic rubber feet on the base fight against the sonic issues associated with coupling.
The boom arm adjusts with a wingnut, while a clutch facilitates height adjustments. The stand is constructed out of steel and features a two-piece folding design. At the end of the stand, you’ll find a 5/8″ thread that fits standard microphone mounts.
M-Audio BX5 specifications
- Type: 2-way near-field studio reference monitors
- LF Driver: 5-inch (127 mm) Kevlar curved cone with high temperature voicecoil and damped rubber surround. Magnetically shielded
- HF Driver: 1-inch (25 mm) magnetically shielded natural silk dome
- Frequency Response: 56 Hz – 22 kHz
- Crossover Frequency: 2.8 kHz
- LF Amplifier Power: 40 W
- HF Amplifier Power: 30 W
- Signal-to-Noise Ratio: 100 dB typical A-weighted
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Novation LaunchkeyMK3 25-Mini-Key MIDI Keyboard
| Brand | Novation |
| Connectivity Technology | Usb |
| Special Feature | Keyboard, Velocity Sensitive Keys, Compact |
| Item Dimensions LxWxH | 16 x 11.9 x 8.2 inches |
| Item Weight | 1.4 Pounds |
Studio Bass Traps Pair
Effective acoustic treatment for low-to-medium frequencies
Carefully selected foam for optimum sound absorption
Corrugated design increases effectiveness
Fire retardant to furniture standards
32 Channel Snake Cable 40m
| Brand | |
| Connector Type | XLR |
| Cable Type | XLR |
| Compatible Devices | Cellular Phones |
| Unit Count | 1 Count |
28 Channel Snake Cable 40m
| Brand | |
| Connector Type | XLR |
| Cable Type | XLR |
| Compatible Devices | Cellular Phones |
| Unit Count | 1 Count |
Mic Isolation Shield 5 Sided
A filter that reduces unwanted noise, ambiance, and sound wave reflection. It also improves the sound quality of recordings by isolating the microphone from the surrounding environment.
PreSonus Eris E8 XT Studio Monitor
The PreSonus Eris E8 XT Monitor is a powerful and accurate studio monitor designed for professional audio production. With its extended frequency response, robust construction, and flexible connectivity options, it delivers precise and detailed sound reproduction for critical listening and mixing applications.
Behringer FBQ 1000 2-Channel Feed-Back Destroyer Specifications
High-Performance 2-Channel Feedback Destroyer and Parametric
EQ Automatically and “intelligently” locates and destroys up to 24 frequencies
Ultra-narrow FBQ filters for extremely effective feedback suppression while maintaining the highest sound quality.
Default “Set-and-forget” settings allow for immediate and super-easy performance of Feedback Destroyer
Auto mode continuously monitors the mix and automatically sets the filters.
Acoustic Foam
Create a great listening or recording environment with the best value noise reduction products. Sound Assured foam squares are a low cost solution to get better recordings at home or in the studio. Acoustic panels are used for professional studios, rehearsal rooms, concert halls, podcasting, churches, home theaters, vocal booths, home studios, offices, man caves, dog kennels, utility closets.
