The P16-M boasts a straightforward yet comprehensive feature set. With 16 channels of input, it provides ample room for even the most complex mixes. Each channel offers essential controls, including level, pan, and a three-band EQ. While the EQ might not be as surgical as some high-end units, it’s more than adequate for most live sound scenarios.

One of the standout features is the ability to create custom mixes. Users can easily adjust levels, pan, and EQ for each channel to tailor the sound to their preferences. This level of control empowers musicians to focus on their performance without relying on a sound engineer for their monitor mix.

The P16-M is also equipped with a group function, allowing users to create sub-mixes for specific instruments or sections. This feature is particularly useful for drummers who want to control their individual drum mix or for vocalists who need a balance of backing vocals and instruments.

The P16-M delivers surprisingly good sound quality for its price. The preamps are clean and transparent, and the overall sonic character is neutral. While it might not match the pristine clarity of high-end digital mixers, it certainly holds its own in a live environment.

The EQ is effective at shaping the sound, but as mentioned earlier, it’s not surgical. This is a trade-off for simplicity and ease of use. Overall, the P16-M provides a solid sonic foundation for personal monitoring.

One of the P16-M’s greatest strengths is its compatibility with Behringer’s Ultranet ecosystem. It seamlessly integrates with digital mixers like the X32 and XD8, allowing for efficient routing and control. This integration makes it a popular choice for bands and venues that already use Behringer equipment.

The P16-M can also be used with other digital mixers that support AES50 or ADAT output.